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“From Reflector to Transmitter: Rethinking the idea of Screen in the Recent work of Lynn Marie Kirby” Lynn Marie Kirby X Artists’ Books, 2023 (forthcoming)

Four pieces: 1) "Tales of the Urban Rats," 2) "Shards: Allegory as Historical Procedure "(excerpt), 3) "2015 San Francisco Film Society Essential SF Filmmaker Award," 4) "Tribulation 100!" Craig Baldwin: Avant To Live!  Brett Kashmere & Steve Polta, eds. SF, Insite/Cinematheque 2023.

“I Want to Speak With My Time: Radical Biography in Abigail Child’s Acts and Intermissions"

 Found Footage Magazine, Issue # 8 October, 2022 Barcelona, Spain

“30 Years Later" Flash Flaherty: Tales from a Film Seminar" Patricia Zimmerman & Scott MacDonald eds. Indiana UP, 2021

“Yo-documento a la policía” / Contingencia, resistencia y el precario presente
Traducción por Triana Pujol.  Cine Documental, Indice 22, Edición Especial: “Estados de emergencia: documental y protesta en América Latina” Buenos Aires, 2021

From 4’33” to 8’46”by Jeffrey Skoller. Visible Evidence Forum on the Observational Documentary. September 2020 w- Bill Nichols, Chi Wang, Jeffrey Skoller, and Jane Gaines 

"Specters: The Limits of Representing History in Killer of Sheep" From Street to Screen: Charles Burnett’s 'Killer of Sheep' Michael T. Martin & David C. Wall, eds. Indiana UP 2020

“Report from the Bay: Capitalization of the Commune or Monetizing Hope as Social Practice” Field: A Journal of Socially-Engaged Art Criticism Issue 1/2019 

“iDocument Police: Contingency, Resistance and the Precarious Present” World Records, vol. 1, Featured article Inaugural issue, Union Docs, NY, NY, 2018.

“Unlived History: Ellen Rothenberg’s Elsetime” Shadowed. Caroline Picard, Ed. Chicago: Green Lantern Press. 2018.

“Present-Time: The Art of Resistance in the age of Cinematographic Ubiquity” 

Time Zones" special issue of Representations, Shannon Jackson and Julia Bryan-Wilson, Eds. Berkeley, UC Press. 2017.

Theme Editor, “War” and Introduction The Blackwell Companion to Contemporary Documentary Film Blackwell Publishing, 2015 

“Reigniting Public Art Policy as Social Practice” Art Practical—On-line arts Journal May, 2014.  Republished in Daily Serving: An International Publication for Contemporary Art. July 2014.

“Experimentalism in Film and Video” Encyclopedia of Aesthetics New York: Oxford University Press, 2014.

“ReAnimator: Embodied History, and the Post-Cinema Trace in Ken Jacobs’ Temporal Composites” Pervasive Animation AFI Film Reader, Routledge Press 2014.

“Making it (Un)real: Contemporary Theories and Practices in Documentary/Animation.” Guest Editor Special Issue: Animation: An interdisciplinary Journal. Sage Press, 2011

“Fragments of an Inheritance: Contingencies of History in ‘Cooperation of Parts’” POSTWAR: The Films of Daniel Eisenberg, Skoller, ed., London: Blackdog Press. 2010

“The Place of October: An Exchange with James Elkins” The State of Art Criticism James Elkins, ed. Routledge Press. 2007

“Beyond Hollywood” Afterimage #34.5, March 2007reprinted in ANNUAL EDITIONS: FILM Addison/Berg eds. McGraw-Hill, 2007

"Memories of the Revolution: Filmmaking as Mourning Work in El Dia Que Me Quieras" Valdes: Revista Del Arte Bogata, Columbia, Fall, 2001.

"Beautiful Youth: Ellen Rothenberg." New Art Examinervol. 27, No. 9. June, 2000.

“The Futures Past: Re-Imaging the Cuban Revolution,” Afterimage, vol. 26, March/April, 1999

“Reinventing Time or The Continuing Adventures of Lemmy Caution in Godard's Germany Year 90, Nine Zero.” Film Quarterly  Vol. 52, No. 3, Spring, 1999.

"Home Sweet Home: Abigail Child's B/Side,”Afterimage, vol. 26, no. 3, Nov/Dec, 1998. 

“Forget Guantanamera: Steve Fagin's TropicolaCaptures the New Cuba” Release Print, Mar, 98.

“Reconstructing Berlin,” Afterimage. Vol. 26. No. July/August, 98.

“The Last Angel of History: Space is the Place,” Afterimage, Nov-Dec, 97.

“Sublime Intensity. An Interview with Ernie Gehr”, Release Print, May, 1997.

“The Shadows of Catastrophe: Towards an Ethics of Representation in Three films” 

Discourse: Journal Of Contemporary Culture And Media vol. 19.1 Fall 96. pp. 131-159.

“Review of the film The Man Without a World,” Film Quarterly, Volume 49, #1, Fall '95. 

Guest Editor “Cinematograph A Journal of Film and Media Art, S.F., Vol. 4. 1994. “Interview With Steve Fagin” Cinematograph  S.F. vol. 4, 1991.

1. “Interview With Louis Hock” Cinematograph S.F. Vol. 3, 1988.

C. Catalogue Essays:

"Memories of the Revolution: Filmmaking as Mourning Work" Spanish Translation in the book: Los Fantasmas de Ñancahuazú Buenos Aires: Viper’s Tongue Books, 2010.

“Greg Sholette: Do It yourself Art Action Kit!” Gregory Sholette Selected Projects 1980-2003 catalogue essay, Clifford Gallery, Colgate University 2004. (Translated into Russian for publication 2008)

 "Landscapes at the End of History: Tony Sinden's Installation Dichotomy "  Tony Sinden: Everything Must Go-Installation, Video and Film London: The British Arts Council. 2003.

"The Domestic Lives of Lynn Marie Kirby: Some Notes (with interruptions) on Six Films" Discrete and Continuous Boundary Problems: Lynn Marie Kirby Retrospective Monograph. SF. Foundation for Art in Cinema 2002.